Friday, 30 December 2011

Manga Review

Tsubasa: Those With Wings
Volume 1

Natsuki Takaya
1996, Hakusensha, Tokyo
Phuah Hwee Mian (English Adaptation)
2008, Chuang Yi, Singapore

Romance/ sci-fi
6 ½ /10 stars

            On a desolate 22nd century Earth, food is scarce and work is even rarer.  That doesn’t stop sixteen year old Kotobuki from hanging up her thieving ways and search for a proper job.  Nor does it prevent the handsome and elite military man Raimon from quitting his position in the army and traipsing after Kotobuki.
 She may be a thief, and he an ex-policeman, but don’t get the wrong idea: all Raimon wants from Kotobuki is romance.  He’s willing to wait, while the two pair up in this war-torn wasteland of a world, and go in search of work.  Unfortunately for the budding couple, virtually everyone on Earth is searching for the “Wings”, legendary devices said to be able to grant any wish.  Seeing as Raimon is ex-military and a self-proclaimed genius, many Wing hunters figure he knows the location of the Wings and how to summon them, and they’re willing to do whatever it takes to convince him to help.  Ah, foo.  Romance will have to wait.
 Those With Wings is, at its heart, a tale of young love in a world devastated by war.  Well, when I say “devastated”, what I really mean is “hard hit”.  The world doesn’t actually seem any worse than a drought stricken rural area.  Themes present here are reinforced by Natsuki’s über later work, the international phenomenon Fruits Basket. Especially notable in this category are the themes of true love, and the unrelenting desire to be independent.  This latter manifest itself in Those With Wings as Kotobuki’s drive to find a job.  She’s not willing to be a burden on Raimon, no matter how often he says he doesn’t mind, and that desire to prove one’s self is the driving force behind this series.
 The world itself isn’t the harsh, loveless wasteland you may expect.  Technology is plum with our current state – computers, wind turbine generated electricity, motorbikes (although there’s only been one so far), and remote detonators.  Horse and cart is a popular way for rural folk to travel, which is fantastic, because Natsuki Takaya can’t draw horses to save herself.  Oh, how I laughed.
 There are both good and bad features in this volume.  The bad on Natsuki’s behalf is the lack of flow to the story.  The author’s apparent reluctance to draw backgrounds and intermittent frames means the action often leaps from one location to another (and once, even back again), with no explanation attempted for the mean time.  The other element in need of improvement is the length of the long, long chapters.  The good is the entire bonus story towards the back.  Knockin’ on the Wall predates Those With Wings, and provides an interesting insight into Natsuki’s early art style.
 There’s action, there’s comedy, there’s drama and a whole lotta romance, plus a touch of sci-fi and western.  But so far, no Wings.  Not even a solitary Wing.  If Kotobuki keeps the ball rolling and beats those dastardly Wing hunters to the punch, I guess we’ll have to wait and see!

Wednesday, 28 December 2011

Everyday I'm Shufflekiin 3

A/N: Splasher is the familiar term for a mudguard on a horse-drawn carriage.
There are two words I always have trouble typing, and they're familiar and furniture. WHY?!
---
            To be honest, when the dragon parked its ass in fronta our carriage, I thought we were all gonna fuckin die.
 Lodve and Oystein – better known as Crying and Ain’t Crying – crawled outta the carriage so fast I thought that there scaly beast were their cousin makin a kissy face.  Then they dragged up the swords they’d borrowed from brothers in Riverwood (the carriage itself being a generous donation from the miller, Hod), and Lodve had a shield while Oystein was more inclined to magery.  The dragon – big greeny-black bastard he was, and nasty, like all the sabre cats y’ever seen taped together.  Bugger drew his scaly head back and blew flames all round.  I did reckon there a moment the carriage would go up as easy as the dead thistles on the roadside, then I recalled this was Skyrim and the weather was shit, and not even the dead thistles were gunna catch.
 “Sonova horker!” Lodve shouts, with his shield in the air.  He shoves his sword toward the dragon. “You’re lucky I’m damp!”
 Oystein knocks a couple spells in the critter’s direction.  It’s about as worried about the spells as I am about the ill treatment of Argonian dock workers.  Oystein hangs back shoutin while Lodve runs in shoutin and wavin his dinky iron sword.  Honestly you’d think if you were gun blackmail some brother for his sword, y’d at least make it a good one.
 “My gods,” Ulfric croaks, coming up beside me on the splasher.  We haven’t set one foot outta the woods onto Whiterun Plain yet and here the bastard lizard has tracked us down.  Lodve’s shield catches alight and a second later up goes the chemical-saturated leather armour all Cloakers get around in.  Lodve starts to scream, the same high-pitched bloody roar you’ll get from any man on fire, only Lodve is in armour, and the helmet muffles the bloodiness of his scream and lets us hear instead this squeal as if it’s a loose-skinned sausage boilin in there instead of a Nord.
 He runs and squeals and he’s gotten no more’n twelve paces with Oystein n His Nibs n I all watchin struck lame when Old Ugly snaps his neck out and chomps Lodve’s head n shoulders clean off his body.
 His legs and the bit above them drops to the forest floor with a wet splat I coulda done without.  Smoke curls from Old Ugly’s red nostrils and I’m aware his eyes are on us, on Ulfric n me in our useless poxy horse cart.  With a shout of dismay Oystein flings his spells aside and legs it into the trees.
 Meanwhile, you’re likely here thinkin as not the carriage is just sittin pretty here in the middle of the road.  Ain’t so.  When the dragon landed the driver prioritised survival to manners, and over the rocky downhill path the carriage bounced no amount’a false advertising would make comfortable.  Oblivion-bent on death or freedom we went.  Just outta spite Old Ugly fetched up his tail and nailed poor fleeing Oystein into a spruce tree, hard enough Oystein’s guts burst through his sides and his face was hammered into a red wed mask on the conifer bark.
 Happy with this, but not happy enough, with a smile out of some deep nightmare on what amassed as its face, Old Ugly starts comin towards us.  Wing over wing, the claws on its bat’s wrist churning up the soft rotten leaf mould on the road’s either side.  Its horrible tail kicks and swishes as it moves, and Ulfric’s voice is a soulless trickle as he watches it,
 “He’s going to kill us.”
 Which I thought went without sayin, but I wasn’t about to argue with His Nibs.
 “He might.”
 “He will.” Ulfric peels his eyes off Old Ugly and plastered em to me instead.  His works his jaw, his eyes are showin sclera right the way around, he’s cranin forward and recoilin behind the splasher at once. “Br-brother Nord.” His throat works, bobbin his Adam’s apple like a float hittin a wave, “If I die, the resistance will crumble.”
 And if I died, I’d be dead.  No more drinkin, gamblin or horse-thievin for me.  Shi-it.
 “What I need you to do,” says Ulfric, watching the dragon and me alternatively, “Is get out there and stop that beast.”
 The carriage rumbles on, only a bit faster than Old Ugly ploughing towards us wing over wing.  Anyone’d think Old Ugly there had all the time in the world to catch us.  I wonder if I’d misheard Ulfric.  I hazard a guess that I’d heard right.
 “Sir,” I says, and on cue the dragon takes a leap almost to the wing.  My guts end up in my throat and my heart bouncing on the road. “Yer Highness, believe me when I tell you you’re the last bloke I’d want to offend.  But are you mad?  You send me out there and all I’m gonna do is buy you two and a half seconds while Old Ugly there chews my face off instead’a yours!”
 The worst part is, Ulfric is listening.  I can see him thinking of a million different ways he could use that two and a half seconds I spend dying horribly, and it’s only because he dun find a favourable enough results that he says to me,
 “You may be right.  What if you were armed with a sword?  How much longer would you last?”
 Then he picks up the sword under his belt and puts in in my hands.  Behind us Old Ugly leaps up again, this time finding the wing, with a huge BAM BAM BAM of breaking air rises above the trees.
 “Oh, no,” I moan, as Ulfric gets a hand on my shoulder.
 “Fourteen seconds should be enough to see us clear,” Ulfric tells me.  Then he shoves me over the splasher.
 I hit the ground cursing his name in what I believe is an understandable protest.  Old Ugly lays eyes on me as I roll outta the dust, sword in my hand rather than in my belly which I’da thought more likely.  Old Ugly drops out of the sky, his shadow swamping me, and as he falls he spits a wad of crimson fire at me.
 I promptly forget all about Ulfric and his blonde rebellion.  I might be a Nord but no one will ever accuse me of being a decent one.  Old Ugly lands and there are flames everywhere around me, the heat so intense that even this soggy miserable Skyrim soil dries and ignites.  I can barely see the side of the road.  He’ll probably get me like he did Lodve and Oystein, but there ain’t a thing I can do bar try.
 Funniest thing is, while we’re on the subject, is I’m not on fire.  Oh I’m plenty hot, n scared shitless (ask my pants), but not grilled crispy charcoal chicken.  Not yet.  You can bet I’d like to keep it that way.
 I all but fly into the trees, the flames hot on my heels.  Down the slope onto Whiterun Plain.  That’s the worst way t’go.  Old Ugly has trouble moving through the spruce trees.  He’ll have a clear run on the plain.  Clear run and I’ll be boned.  Mara help me.
 Thinking that I cut left and keep on running.  Throw the sword away, it’s only slowin me down.  Speed, speed, I wish my feet would fly me over the leaf mould, which is up to me knees in some places and a thick rotten soup where it’s fermented over the bare limestone.  Sporadic flames at my back.  Crackling the air.  Mud between my toes.  Climbing up, dipping down, over stone ruins, around then, climbing up.  I’m outta breath, my lungs are packed with dynamite.  The run never ends, this bloody dragon never quits.
 I jump a log and snag my foot on a branch on the far side.  Face first into the mouldering leaves I go.  Earns me a mouthful of soil.  The fall bashes the air from me.  Flames spew overhead.
 There, Ulfric!  You’ve got your fourteen seconds!  Let’s see you use every one of em, you selfish rich schemeing sonova hagraven!
 Slowly, sorely I gain my feet, wonderin why everyone in Skyrim picked today to try n kill me.  Old Ugly touches down on the flattish stone ruins ahead of me.  He orientates himself with crab-steps n groping wings while I find my feet.  We’re on a slant, or perhaps that’s just my head.  I’m filthy n breathless n dressed in rags without even a sword.  The dragon is thirty foot long, ten tall, coated in scales like layers of fishmail.  I’m shaking, thinking maybe I busted my jaw in the fall.  It doesn’t really seem to matter.
 “Mortal,” comes this growl, this seething growl like from the belly of Tamriel itself.  Old Ugly’s hot, sour breath swamps me.  Not that I don’t stink already. “Which toy’s trick is this that you resist my thu’um?”
 Hey hey hey.  I ain’t resistin nothing.  I’ve spent the entire thirty (give or take a ten) years of m’life very specifically avoiding resisting everything from joining the Cloakers to arrest for indecent exposure.
 “I never did,” I says, “N you got no right accusin me of stuff what I ain’t done on atop’a you tryin t’kill me.  I won’t stand for it.”
 Old Ugly blinks, somethin he ain’t in the habit of often doin. “Huhn,” he produces after a time. “Don’t suppose you’d tell me what you intend doing about it.”
 Allova sudden I’m reminded of the time years n years ago Margeth n me were down in the paddock over yonder hill near home, and into our paddock had wandered this cow.  Margeth reckoned it was wild; I wasn’t as sure.  He had an old woodcutter’s axe he used to cart around in those days sayin it was an Orcish battle axe.  At least he acted like a right Orc when he had it.  Proddin this cow n callin it names; stupid beast was stuck in the mud of our dam, let off a bit from the creek.  Bit of a dry spell and the dam was mostly mud, but there was water underneath it, and a foot down the mud was thick and viscous.  Poor cow was in up to her flanks.  It din have any more chance of pullin itself free than Margeth did of bein an elf.
 He kept proddin it, and sometimes I joined in and other times I told him to stop.  The cow, distressed, mooed something terrible at us, its eyes big n black n wet n beggin us to help it.  That old cow looked right at me as it was wearin out, and frank as anything it said to me, Help.
 “Margeth,” I’d said, “Either we help it out or it’s dead.”
 Margeth got this look then like he did sometimes.  Nasty n dumb, rather than the sweet n dumb he usually had on.  Somewhere in his body there was one mean bone, as I guess is in all of us, n it surfaced right then in Margeth.
 “It’s dead,” he said, and he swung that axe right round into the cow’s face.
 It took him two more hits to kill it.  I didn’t watch after the second.  We went home after, couple cow horns as trophies, and as we wound our way back up the hill Margeth said to me,
 “I had’ta.  What else I’d done, huh?  We couldn’t pull it outta that bog.”
 By time we got home the mean look in Margeth’s eyes was gone.
 It wasn’t gone from Old Ugly.
 Already on the dragon’s pebbly lips was the excuse to its brothers, “What else I’d done?  I couldn’t let him run down onto that dangerous plain by hisself.”
 Dread knocked its lead fist against my chest, cause I knew I was right.  Dragon wanted to kill me, and that was the only excuse it needed to do it.
 “Ain’t nothin Imma do’ll stop you.” My throat is dry; I swallow and leave it dry as it was before.  The whole forest seems to be creakin, leanin in and listenin.  Creakin, and - - a tiny splash of cold water hitting smooth rocks.  Not the river rushin down the mountain flutes, I’ve heard that forever.  A different sound.  Small water, amplified, the splashing shadowing the splashing, right on the edge of hearing, cuttin in n out over the creaking, the dragon’s breath, the shuffle of my raggy clothes as I shake.
 To the right, no more’n forty yards.  Twenty running paces.
 My eyes go wide, and I stagger backwards a pace, Old Ugly following me with his mean gold eyes.  But I ain’t starin at him.  There, there, behind him!
 Alarmed, I choke, “Wha- what’s that?
 Old Ugly turns.  So do I.  Then, as Old Ugly searches for a glimpse of nothing at all, I duck low and leg it over the log and towards the sound of splashing water.  Two steep verges before me; the first steep one onto the road, the next to the river curving round the mountain bend.  And there, draining beneath the road into White River, is an underground creek emerging from the undercut river bank.
 I’m over the first verge before Old Ugly has figured out he’s duped.  I hear him give a snorting roar as I scurry across the road, kickin up sparks how fast I’m going.  Ahead I hear the splashing water as loud as the bells of Sovngarde, crashing down a bank I can’t tell the height’a.  Old Ugly is comin for me now, but it takes him a while t’get going and he has trouble moving through the trees.  Giant BAM BAM BAM as he climbs to the wing.  As soon as I hear it I jump over the edge of the bank, bracing with m’knees bent for the shallow water beyond.  Hit it, fall back.  Into the river and back, back against the falling muddy water of the emerging creek and into the wet rock, and back again into the grotto amplifying the glorious splashing of the creek.
 The dragon’s shadow distorts behind the curtain of water.  I push further n further into the soft wet black earth, never darin t’take my eyes off the dragon, or where I think he might be.  Upwards slant of the grotto floor takes my feet from the water but my head towards the road bottom, and I know I can’t go far.
 After circling once, twice, over the river and road, Old Ugly drops into the shallow water on the river’s edge and begins to swing its gnarly long head to n fro, snout raised, scenting the air.
 I stink, like I told you, but here n now I was hopin it was the stink of the earth and not of a panicking man.  My right shoulder hits a rock wall; the left empty air, and I slide into a lightless wedge where the earth has washed away from a fault line in the limestone.  Spider webs tear off in my hair and against my bare legs.  Old Ugly leans closer.  Stirs the river bottom.  Turgid water surges to his wrists, then his knees.  An odd sideways swinging walk while his head goes back n forth, snuffling nostrils, wings shedding water as he shuffles closer.
 Then that big gold eye swivels towards me, and I know I am found.
 Backwards I go, into the earth.  The floor of the grotto takes another dip upwards.  Any higher and my head will be in the underground creek.  Dread, this feeling as cold as the sea of Winterhold, trickles down my throat, pooling in my chest and guts.  Old Ugly watches me a moment through the water, then surges forward.  Water breaks over the ridges of his grey-green skull.  Its snout tips up, its breath rank and hot, a long low growl shiverin at the back’a its awful throat.  Deeper, deeper, and there I am slippin on the wet earth doin my very utmost to keep outta reach of his probing snout.  Like a bug under a skirting board, I am.  Further, further into the earth.  Til I’m sliding sideways, n bent up from the low roof and the high floor, the queerest sound of water rushing above my head, blocked by no more than a sliver of mossy slate.
 M’shoulder butts something hard, sharp.  I throw it a hasty glance and near tear me face off on the rock wall.  No use.  Can’t see what I’ve hit, not with nostrils blocking the light there wasn’t anyway.  I grope at the blockage, hoping to gain another yard, another foot, another inch into the grotto.  Steel.  Cold.  Wide at the top, tapered lower – it’s a bloody sword!
 Old Ugly is playin with me, knows he has lunch sorted.  Without a kind thought in my head I wrap a hand around the sword’s handle and drag it out awkwardly across my body and clumsily slap it into the underside of Old Ugly’s snout.  He starts, n blows a gasp’a flame, but not enough to burn me when I’m damp as a slaughterfish’s crotch.  It’d cost me some force to pull the sword free, as it was content to be wedged between the rocks forever, and I’d banged my elbow something fierce.  They say when you’re scairt you don’t feel pain, but here was me trapped in a little wedge of earth bein pursued by an animal what didn’t rightly exist but was plenty fierce to compensate, and my elbow was testament to the bullshit people will tell you.
 To shut it up I slapped the sword up awkwardly again, this time succeeding in drivin His Nibs Wretched Breath a short way back.  Not outta the grotto, not by a long way.  Just enough that I could get the sword up over its head.  In a flasher madness I struck into the open end’a the cave, sword level n straight out, and bypassing the great snuffling snout ran all my weight behind the sword into the dragon’s small gold eye.
 Deep, deep.  The sword hits bone and I push harder, slamming my weight into the sword.  Dragon is flailin, his wings beatin outside, tail thrashin from what I could discern from the crashing of water and the madness inside the grotto.  But its horns had wedged its head fast under the slate roof and between two limestone boulders.  I push past bone.  The sword sinks to the hilt in whatever dragons have fer brains.
 One mighty twitch, one breathless second, and the dragon is dead.  Its body sags, slumping into the river shallows, its neck straining as its head stays stuck fast.  I realise I’s the problem, n haul the sword from the crushed eye socket.  Head hits the ground and snaps out of the grotto.  One Oblivion of a splash as the thing recoils into the shallows.
 My heart’s throbbing hard as my elbow.  Can tell you I have no small amount of hesitation climbin to the grotto mouth t’check the beast is really dead.  With the sword in hand and breath caught in my throat I lean out through the short dirty waterfall.
 There in the shallows, the dragon lies, its head n neck on the foot of wonner my limestone boulders, tail pulled straight in the deeper waters, the rest of it the better part submerged, one wing crippled up beneath it, the other floating on the water.  Beautiful, now that it was dead.
 I look at the sword in my hand.  A gold handle and blade.  Dwarven?  I’d have to have it appraised.  Surely a solid gold sword would shout me beers and bed for at least a couple nights.
 Then again, the amount I planned on drinking soon as I got to Whiterun...
 Probably not. 

Friday, 23 December 2011

Triple J Hottest 100 Shortlist

Have 34 songs, can submit 10. What do?

Nero - Promises
Seeker Lover Keeper - Even Though I'm a Woman
Sparkadia - Mary
Split Seconds - All You Gotta Do
Stonefield - Magic Carpet Ride (Like A Version)
Skream & Example - Shot Yourself in the Foot Again
The Wombats - Jump Into the Fog
The Wombats - Our Perfect Disease
The Wombats - Techno Fan
Washington - Holy Moses
Ball Park Music - Rich People Are Stupid
Ball Park Music - It's Nice to be Alive
The Jezebels - Endless Summer
Joe Goddard feat. Valentina - Gabriel
Joelistics - Glorious Feeling
Gotye - Don't Worry, We'll be Watching You
Gotye feat. Kimbra - Somebody I Used to Know
Gotye - State of the Art
Graveyard Train - Dead Folk Dance
Grouplove - Tongue Tied
Grouplove - Itchin' on a Photograph
Art vs Science - Bumblebee
Beni - It's a Bubble
Lana Del Rey - Video Games
Lanie Lane - Ain't Hungry
Lanie Lane - Oh Well That's What You Get For Falling In Love With A Cowboy
Ellesquire - On the Prowl
Example - Changed the Way You Kissed Me
Evil Eddie - (Someone Say) Evil
Florence & the Machine - Shake it Out
Illy - Cigarettes
The Middle East - Land of the Bloody Unknown
Owl Eyes - Pumped Up Kicks (Like A Version)
Jens Lekman - An Argument With Myself

Blood +
Volume 1

Asuka Katsura
2005, Kadokawa Shoten, Japan
Camellia Nieh (English Adaptation)
2008, Dark Horse, USA

Horror
9 ½ /10 stars

                At first glance, Saya Otonashi is an ordinary school girl with an extraordinary appetite.  But look beyond the outermost layer of this cheerful track team star, and the truth soon becomes apparent: terrible nightmares, inhuman cravings and shaking dé jà vu are symptoms of her bloody, veneered past.
 Trying to fit into a new school, not to mention a new family, is tough, and Saya isn’t helped by her inability to remember anything prior to the past year.  She’s in for a rude awakening.  She alone is capable of defeating the Chiropterans, monstrous creatures which lust for the blood of the living.  To do so she must first embrace her own brutal nature, but unfortunately for Saya, it’s not a role she’ll have time to get comfortable with.  The Chiropterans, the U.S Army, the leader of her high school theatre club...everyone wants a piece of Saya. Hopefully her friends, bad-boy Kai, fellow track star Kaori, and the mysterious cello player Hagi can help Saya hold onto her peace of mind.
 Asuka Katsura’s Blood + manga is one face of a new range of media spinoffs of Production I.G’s Blood: The Last Vampire short film.  While the recent anime series is undoubtedly the most prolific of these spinoffs, there are also light novels which compliment the anime and manga.  A preview of said novels was included in this first volume of the manga, and I can attest firmly from its few pages that if you’ve managed to read this far into the review, you’ll find these novels far too “light”.  The manga, however, is a different story.  It’s fantastic, for starters.  I cannot praise the art enough.  The graphic style, while typical manga and not particularly stylish, adeptly encapsulates the essence of Japanese comics.  The characters, backgrounds and objects are beautifully rendered; the pages of a high quality that you’d frankly hope Dark Horse would manage given its generally exorbitant prices and incessant boasting.
 In all honesty, the Blood + manga was less devastating on the pocket than I had expected.  A copy of Dark Horse’s Hellsing will set you back AU$25.00, while Blood+ was under $20.00.  It’s definitely worth it.  It’d be worth paying $25.00.  While the story is initially clichéd – amnesiac girl, violent past, heroic older brother – it quickly becomes utterly engaging, bloody and beautiful, and very much leaving the reader wanting more.  It’s not really true horror: the gore is comparable to Hellsing, while the teenage drama is closer to Fruits Basket.  Dialogue from kid vampire Charles adds spice to the story, and emphasise the sexy side of Saya and her eternal follower, Hagi.
 Lastly, I guess the majority of readers will not appreciate this consciously, but I definitely think it’s worthy of a mention; the composition.  The layout of panels and the arrangement of graphics within them is beyond excellent.  I would say that the composition in Volume 1 is by far the best use of this technique that I’ve ever seen.
 My goodness, you’re still here?  Volume 1 of Blood +: read it now!

Thursday, 22 December 2011

Everyday I'm Shufflekiin 2

//Here's Chapter 2!// 

           I wake staring into the eyes of my brother.
 He’s pinching my nose.
 “Ah- ah- fah!” is the effect of my spluttering, loud enough t’wake the dead.
 We was underwater in this hell-shabby Palace like a Dwarven city gone to flood, and a million fishes swarmed around us, watchin –
 -wait a minute.  Now we wasn’t.
 But the only reason I knew it was Margeth was dead, and the fellow starin at me wasn’t no dead brother, and nor was he any sort of fish I’d ever seen.
 If he kept starin at me, either his eyes’d fall out or I’d punch him in the mouth.  Wanna win some gold, bet on the latter.
 He kept starin.
 I take a step up to hit him and the cart hit a rock and I fall flat on my face.  Far out.  My hands are stuck behind me.  Unfortunate experience familiarised the sensation.  I get to work right away untying myself.  So I was under arrest.  My brother was dead.  There’re a bunch of leery Nord cousins in place of sweet shiny fishes giving audience.
 I roll off my face and onto my side.  The action affords me a view’a the rest of the cart and the cart behind it.  Couple sturdy old horses on each, not ‘perial stock.  Wouldn’t fetch much of a price second-hand less it was in ransom, and horses like that can make a thief regret they was born.
 Guess one thought leads to another, cause I look at the only dark-haired fellow in our congress, member #3 of the second gilded chariot, and know who he is.
 “Bloke’s a horse thief,” I says to my neighbour across the prison cart.
 He smiles this real mean wistful smile like he is right then wishin he was jerkin off in the outhouse of a Cloaker camp.  T’be brutally honest, between the prison cart n the Norgy, I’d any day take the outhouse.
 “I’d be a horse thief too, if I was luckier,” he tells me.
 Another cousin snorts, “Hn.  If I were luckier, I woulda been shot in the neck at the Border.”
 He gestures vaguely to the fore of the cart, making it a consequence of his non-death.  To oblige a cousin I follow the gesture, and low n behold beyond the bobbing grey heads of the draught horses are the chipped granite walls of Helgen.
 Now just hold on one skooma-shootin second.  We might’a been arrested on the Border, but the keep closest was Falkreath, and if they wanted to slap our hairy wrists then that oughta be where we were headed.  Not Helgen.  Only folks went to Helgen were folks destined for-
 “The chopping block,” nods my neighbour, reading all this off a stricken man’s face.  The stone gate rolls over our heads, for a moment bouncing the noise of the horses’ hooves back at us like captured thunder. “Sorry, cousin.  That’s what happens when ‘perials dogs can’t pick a Nord soldier from a citizen.”
 Another of my three companions in the cart nods to the second vehicle. “With Ulfric bein with us, every Nord in Falkreath is gonna be headed this way.”
 Either he said “be headed” or “beheaded”.  One made more sense than the other, but that wasn’t the one which had me so alarmed.
 People from houses screeching at us like they had no business to do, the carts stop.  By the keep tower ‘perials had set up a tea party for us.
 Now I might come from Shor’s Stone, and it might be a decaying turd heap, but as a turdboy I can say with full authority that Helgen is grade-A ‘perial manure, and this was even before the place burnt down and the bandits drifted in like the stinkin gloating buzzards they are.  I don’t want to die here.  Come t’think of it, I don’t want to die at all.  Wasn’t havin my brother die enough for one day?  Couldn’t we do this tomorrow, or after I told Maw?
 A ‘perial pulls the back’a the tray down and grunts for us to get out.  Rest of the silvers are standing round a short wooden guillotine they’ve taken all the care to put on the dirt.
 “Step forward, prisoner,” says the ‘perial to me, when I don’t skip after my cousins.
 Not budging, worried they’ll notice my undone bonds, I say, “You got me wrong, man.  Me’n my brother were just pickin deathbell there on Angi’s Grove-”
 “Trespassing,” bellows the ‘perial broad beside him. “Resisting arrest by attempting to cross the Border.  Step forward.”
 I do, cause these ‘perials got their swords trained on the ratty death pyjamas some smarty replaced my armour with. “Lady,” I tell her a bit hopelessly, “I wasn’t crossin no Border.  Reason I got in that water was to chase down the mare for your boys.  I know what trouble you ‘perials have with horses.  Kindness itself, I am, to think of gettin’ it for you.”
 The lady says to the son of Septim beside her, “Write him down as ‘idiot’.  Let’s get this over with.”
 I want to be offended, but actually I’ve already forgotten the broad.  Reason being Ulfric himself is standing beside me.  It’s my first time meeting him, one billionth time having heard about him.  He’s this big blonde bloke got a fur cloak offa bear by the looker him, but if that’s the case I can’t figure why they call him Ulfric Stormcloak and not Bjorn Bearcloak.  He doesn’t even look much like a bear or a bloke who shouted apart such a man as a high king, and my being impressed quickly muddies to disenchantment.  Here I was hopin His Nibs Ulfric was going to sprout wings and fly us over the wall.
 Someone shouts for this to hurry up.  Horse thief suddenly breaks free of the ranks of prisoners and makes a run for it.  We all snap our heads up to watch him.  Run fellah, run!  He runs, the guards go after him, better chances for us to get away.
 “Archer!” calls the broad.
 Whack and the horse thief is dead.  Arrow in the back, face in the dirt.  Ain’t no guards running after a corpse.
 “Now if nobody else has any objections...” says the broad, and I can think of millions.  I reckon I could think of so many objections that if she spent the time listenin to them then she and I both would die of old age standin right here in Helgen.
 No one is listenin to me.  A Cloaker is pushed onto his knees, head on the execution block.  No last rites or nothin’; the broad just tells the minister to can it when he tries.  S’pose the ‘perials are scarder of Ulfric than of restless ghosts.
 The executioner swings his axe.  A meaty thwack followed by a huge and distant roar.  We look to the skies.  We see nothing.
 There’s the grey tower and a few wooden long houses with mummas n kiddies peerin at us.  I recall the first execution I ever saw, sittin on my aunt’s knee in the crowd, Margeth and my sister on our uncle’s shoulders.  We went all the way to Whiterun to see it.  Erkki Cattlethief was the name of the bloke.  Afterwards we went to the markets and my aunt bought me a sweetcake.
 Funny how the good times come back to you in the worst times.
 Funny how I was quite happy to have my whole life slide by in a haze of mead n skooma n bad jobs n worse women, content to die any day at all in my sleep, yet come time for some bloke in leather lingerie to take my worthless existence away from me, I suddenly got all attached to it.
 “Next.” ‘perial calls this like this is the dullest thing he’s ever seen. “The prisoner from Cyrodiil.”
 Mara above.  Sweat prickles my neck.  That was me.  Wasn’t it?  I mean, sho, I’d passed out and nearly drowned before I ever touched Terra cyrodiilus, but out of all the leprechauns I could see around me, I must’ve been closest to the rainbow.
 Fobbing my way through a prayer, I step up to the chopping block.  I’m nearly there when this buff chap I don’t recall from the Border knocks past me and kneels down, resting his thick neck on the block.
 I just stand there.  The executioner raises his +1 axe of risqué underwear.  I can’t move.  Damn, I can’t even die when I’m supposed to.  No wonder I can never hold down a job.
 There comes a distorted cry from beyond the keep.
 Aw, what the f-
 Then the ‘perials are screamin and the Nords are runnin and the sky and the keep and the earth itself is on fire.
 You know what I was doing this morning?  That’s right: picking flowers.  Now I was screaming for my very life as a fah-king dragon poured over the top of the tower, spewing flame and instant death and we were chaos, chaos, trying to get away.  The worst part of all wasn’t that we were being picked up n eaten n made crispy; it was that all this was happening at the claws of a creature which didn’t even exist.
 Despite everything else he had to worry about, the executioner chose that moment to fret for his job security.  He took up his axe again.  I believe that’s what em fancy folks would call psychological displacement.
 Leatherdacks takes a swing at Buff on the ground; I spring up and punch him square in the jaw.  Executioner rocks backwards, his axe gripped in his fingers like wire threaded through boiled ham.  I hit him again.  This time he does down and I lean forward and pick the knife off his belt before he’s hit the dirt.
Hit that dirt real hard did old leatherdacks, which felt to me about the first good thing that’d happened all day.  To celebrate I cut the bonds off the first blonde bloke in front’a me.  It’d be my pleasure to stand around all day cuttin rope, but seein as there’s a dragon lapping about town, I just extend my generosity to freeing His Nibs Ulfric and count myself done with it.  One blonde bloke picks Buff off the ground.
 “Get into the keep!” he shouts, pushing Buff towards it.  Buff’d been on the chopping block when the dragon showed face, and either from the shock of the beast’s appearance or plain thinkin his head was missin, he’d taken a fall off the block.  Way he looked now was prob’ly concussed.  I don’t know much about concussions ’cept if you get enough of em you aren’t allowed to dance on the table at the inn no more.
 “Ur,” mutters Buff, then the dragon wheels around from terrorising ‘perials n we leg it into the keep tower.
 Cloakers everywhere are talking and I’m not really listening.  ‘perials outside fighting with bows n swords.  Couple injured men on the tower floor.  Dragon seems more pissed off than put off at the arrows peppering its glossy grey flanks.  Blondes Buff and another called Rolof run off up the stairs, leaving me with Ulfric and a fellah who’s cryin and another one who ain’t.
 “Hey!” is what I shout up the stairs, “You want us to come with?”
 All answer I get is this big roar and the wall of the tower comes crashing in over the stairs and the dragon sticks its ugly head in.
 I’m ready to run out the door.  His Nibs Ulfric is just standing there starin at Old Ugly.  It takes its ugly head outta the wall and Buff and Rolof wait a second and then jump out after it.  I look around the tower door.  ‘perials further down, mostly screened by a building what’s on fire.  Dragon seems pretty happy to have charcoal sardines for dinner, not bothering about us little oysters here in the tower.
 I look around; south gate’a Helgen is where I recall it.  Still you can never be too sure about these things and I’m of a mind to wander over there and double-check my facts.
 “Sir,” I says to Ulfric, realising the advantage of additional targets with which to make the sprint, “Reckon the bugger is distracted enough we can run for it.”
 Ulfric has this prodigious brow prob’ly made so by the weight of all the weeping mothers he’s deprived of sons.  When he draws it up it’s like the curtains closing on a puppet show.  Makes kids cry, is what I’m saying.
 When he speaks I don’t mind tellin you I feel like cryin too, and I’m no more of a kid than you are. “Speak true, man.  Besides the beast, what are our chances of bypassing the guards?”
 I stick my head out the tower just in time t’see Old Ugly pick up a silver and flip him up in the air.  Lands heads down.  Dragon wins.  Dragon’s the kinda bloke wins a lot.
 “Reckon they’re preoccupied.” I come back into the tower.  Crying and Ain’t Crying were looking at Ulfric.  Didn’t matter that the tower and Helgen too were gun burn down, those two weren’t game t’shit lest Ulfric said so.
 “We’ll go,” he says at last, when I’m thinking of runnin anyway.  He tips that heavy brow towards me. “Lead the way, knave.”
 Knave?  Knave?  I’m flattered til I recall the word I’m mistaking for knave is thane, and realise on toppa that Ulfric is calling me simple.
 Simple as I might be, I’m not so crude to think myself immortal, and I run outta the tower faster’n that palomino mare hoofed it over the Border.  By time Crying, Ain’t Crying, and His Nibs are halfway across the courtyard I’m climbing the oak beams that’d fallen against the fence when Big Ugly’d taxied low over a house.  The beams were on fire but then so is my arse (least so you’d think) and I’m up n over the fence quicker’n you can say charred skeever.
 The other side is peaceful, the other side is calm.  Landing heavy on my bare feet stirs a powder cloud from the light covering of snow on the dead grass, and that’s as close as outside Helgen is getting to a calamity.  I don’t like the calm one bit and I wait in a heckova fret while three blondes drag their carcasses over the fence.
 “Riverwood’s that way,” I says as soon as they’ve over.
 Ain’t Crying puts a hand on my shoulder. “Who’s going to Riverwood?”
 “I am.” I give him some distance.  For some reason I keep thinkin of how Margeth is dead.  Blame Ain’t Crying.  He’s the one I woke up thinkin was my best brother.  Old Ugly is havin hisself a marvellous time there in Helgen burnin down the houses n killn ‘perials n I don’t really give a god damn.  My brother is dead – dead!  Crushed by a horse ridden by a horse thief where the horse got away and the thief got shot dead in the back.
 Cryin like the big man I am, I finish sayin, “I’m going to Riverwood.  Then I’m gun get a ride on a cart back to Shor’s Stone and tell Maw Margeth is dead.”
 Sobbin n bawlin I wander off northwards, working my way between the cold face’a the mountain and the burning wall’a Helgen.  I’m lyin about the cart, a course; less whichever poor beggar owned these rotten rags afore I got em stashed a mint in the pocket, I ain’t got a single Septim to my name.  Nothin’s changed, then.
 It takes me a minute to realise the Cloakers are behind me.  Only reason I know it at all is on account of Ulfric sayin right up close,
 “Travel with us, brother.  Good deeds deserve to be repaid in kind.”
 I’ve never heard an ebony war-axe speak, but if I did, reckon I’d think Ulfric was in the room.  He makes me shiver like a woman.
 “Yer Highness,” I says, givin His Nibs some distance, despite it was him what approached me.  I still can’t stop cryin about Margeth. “That’s kindly of ya.  But I wouldn’t be of any use to ya.  Yer better off leavin me t’walk with the wolfs.”
 “Wolves,” he says, and would you believe it he puts his noble hand on my arm!  He seems to have made up his mind. “No, brother.  The wolves will not prey upon you.  Not when you walk with bears.”
 So His Nibs says, thus shall it be.
 Far above us, unconcerned by the affairs of wolves and men, a roar of a flames crushes my faith in the falsehood of fairy tales.

Saturday, 17 December 2011

Fakku seasonal contest nostalgia

The end of nostalgia is kind of hard to type correctly...
My contest entry is in!
It wasn't the one I had intended to submit.
Rather it was a very nostalgic piece about Japan.
D=:< I LOVE YOU JAPAN!

Thursday, 15 December 2011

Manga Review: Nana Volume 1

Ai Yazawa
1999, Shueisha, Japan
Allison Wolfe (English Adaptation)
2005, VIZ Media, USA
Romance/ drama

8.7/10 stars

            Nana Komatsu thinks she’s cursed.  She might be named for the “lucky” number seven, been when it comes to love, luck has never been on her side.  First there was her crush on the art teacher, then the video store worker, then the chef, then the baby-faced pizza boy, then her ill-fated affair with a married man.  Now, broken hearted and with no ideas for the future, Nana must once again rely on a helping hand from her best friend, Junko.  However, it’ll take more than Junko’s help to teach Nana what really matters, and a lesson in life and love may come too late to save her.
 Nana Osaki is totally opposite – she’s never needed a boyfriend to know who she is.  It might be fate that brings her and ultra-cool bassist Ren together, but it’s talent and a love of music that makes their band, and their relationship, work.  It is fate or love then that takes Ren away from Nana, to find success with a new band in Tokyo?  Nana will once again only have herself to depend on, if she’s to make a life for herself without Ren…but fate hasn’t finished with her, either.
 Nana is the separate stories of two twenty year old women who share the same name, and who both dream of leaving their mundane lives behind for the glamour and opportunity of Tokyo.  Volume 1 provides the prologue to their meeting where, apparently, the number seven has an important hand in deciding both their destinies.
 As a story, it is compassionately written and superbly executed.  The Nanas are nothing alike – Nana Komatsu is a typical boy-crazy girl, Nana Osaki is passionate and headstrong.  Though friends play an important role on both sides, their name is really the only thing the title characters have in common.  Both stories have high and low points, just as both Nanas have good and bad traits.
 Ai Yazawa’s story-telling is mature and engaging, well-paced, with an almost lyrical rhythm.  The twists are sharp and the emotion intense.  Artwork is as detailed as the lives of the girls it depicts.  Hair, fashion and character design are excellent.  While Nana has a definite shojo style, with the long, slim, beautiful characters, Ai Yazawa has ensured each one is distinct; no doubling-up of pretty boys or girls.  The boys look like boys too, which is a rare thing in shojo manga, and they’re no less sumptuous for it.
 While I thoroughly enjoyed this volume, I thought it needed a more generous supply of humour.  With so much drama and tension, Ai Yazawa really needed to crack a joke more often.  Maybe she’ll lighten up once the serialisation begins in Volume 2, but for now, the story is a bit too intense.
 That’s my only complaint, however.  Nana Volume 1 is brilliantly written, engaging and heartfelt, and damn good to look at to boot.  I’d recommend it to older readers who like a more realistic approach to life and romance than most shojo manga provide.

Sexy Challenge

Going to enter the Fakku seasonal writing competition.  Maybe I could win big, or lose it all!
Written one funny short, now looking to write a more emotive one.
But which one to enter?

Tuesday, 13 December 2011

Everyday I'm Shufflekiin

1

            I was chillin with my best brother Margeth down by Angi’s Grove about half a mile from the Border.  Margeth said he’d encountered a Khajit earlier in the day and that had left him with some skooma.  Being of a generous disposition, Margeth was about to share around what he had, when there from the valley we heard a-screaming.
 Now we’d been camped there a good month, Margeth and me, as it was our luck to stumble upon a meadow near black with deathbell, which as I’m sure you know can be ground up with a little bone meal or thistle and honeycomb to make a dreadful fatigue poison.  Our intention was to gather and dry as much deathbell as we could carry before returning to Whiterun and netting ourselves a tidy fortune from the poisons.
 It’s a tricky area, there on the tundra south of Angi’s Camp, where our grove and its attachment meadow was but one of the millions of pockets of frigid water stopped by the difficult terrain from joining the rushing river dividing Skyrim from Cyrodiil.  Folks aren’t half as common as beasts there.  Still it was more’n once we heard the lament of one bandit meeting another.
 Margeth wasn’t going to worry about it, though I lain hand to the rusty iron sword I’d found lying in the grass by a dead bandit.  I ain’t no corpse thief; I swear it was lying near him, not’n his hand.  Then we heard this shout, a chillin chorus if I’ve ever heard one (and I was with Harger the Older when we fetched Jarry’s younger from Dead Man’s Respite).  A woman, in that all-too common Cyrodiil accent,
 “For the Empire!”
 Poor Margeth has a mouthful of mead we should’ve been saving, which he half spat out and half choked on as he struggled not to waste the rest.  I pushed his face down into the tundra grass hoping it might quieten him.  I went down, too.  No matter we were under the trees on the high bank of the Grove; no point in providing a pretty target.
 We heard a bit more shouting, and it got to be clear to us this wasn’t a couple’a bandits hustlin a pelt hunter.
 “Reckon sommer Ulfrick’s boys gotta tooth into the ‘perials,” is what I said to Margeth while he spluttered, his face just as red as a Daedra heart.
 Keeping real low we crawled over to the bit of a verge near where we had our crates of deathbell.  We could see straight down the slope to the river and the far bank that was Cyrodiil, though why any bastard would want to jump that rope I swear I’ll never understand.  Heard they arrest a man for pickin up a fork in those parts, and if he resists then they cut him down on the spot.
 But I digress.  Margeth and me had ourselves a look on down the slope.  Sure enough, further down near the gully the sun was skittering off buffed steel armour and buffed bronze arms and the poorly-covered blonde heads of our brother Nords.
 I counted six blonde heads and three silver ones.  I’ll admit to you now that I relaxed.  Can you blame a fellah?  ‘perials beat that lot they’d more’n likely mosey on up here and decide Margeth and I were Cloakers too.  Happens all the time on the Border.  People go a little insane tryin to figure out which one is who, the Nordic ‘perials and the ‘perial Nords and the Nordic Nords and ‘perial ‘perials.  Me in those days was doing an admirable job of keeping m’head down outta politics and it was before I ever knew Ulfrick from a gold Septim.  All I wanted was t’keep drinkin and smokin skooma and watchin the deathbell dry.  It’d been a long time since I’d any gold and I was forgetting what Septimus looked like.
Prior to the deathbell meadow Margeth n I’d been over east Riften way, where we’d had a good thing going reselling bandit horses.  Course we got done by the thieves and then a bandit fellow flogged Margeth and kilt our own horses and run us out of town.  Before that we were in Ivarstead making a steady fortune breedin bears, but that place is such a morbid shithole we counted ourselves lucky to walk outta there prematurely aged n nothin worse.
 Where was I?  Lookin down the slope, seein one lotta fellahs fight another.  I was seein funny from the mead and the cold.  I had to be, I reasoned, ‘cause yonder Border there’s this foggy shadow like the biggest bat you ever saw rolling round in the sky.
 Said Margeth, “Y’hear that?”
 He was talking about the clamour of horse hooves descending the approach.  That was a long slew of gravel left behind from landslide or another, extending from the pass left of Angi’s Camp into the valley.  Come to think of it it mighta been the landslide which made the pass.  I dunno.  Anyway the approach bypassed us to the right, and sure enough after a second or two a dark-haired fellow in not much armour flogging the daylights out of a palomino comes belting past.  The palomino was a good horse, muscular, with a proud bowed neck and hair like every little daughter dreams of.  She was tearin up the gravel with her big groping hooves, but we could see she was close to exhausted.  Off they went, fellow screaming for the mare to go quicker, and she already going quicker’n she should’ve on that slope.
 Moment later we saw why.  Hot on the hooves of the palomino mare were a contingent of silver ‘perials on the backs of brown stallions.  I can’t tell you how I knew they was stallions without inspecting the undercarriage, ‘cept I know horses, and I knew these ones were stallions.  None of ‘em as fit as the palomino mare.  None of the riders dumb as the thief (go figure).  They saw the approach was getting steeper and they drew up; thief saw it getting steeper and he dug his spurs into the mare’s flanks and all but flew her into the valley.
 By now I’d lost interest in the blondes n silvers, figuring it to be a forgone conclusion.  But now the mare was headed that way I had another look.  Maybe the ‘perials down there weren’t all dead, but they sure weren’t having skooma parties neither, and one or two of the Cloakers was regretting gettin outta his bedroll that morning.
 The Cloakers spotted the mare, as it was hard not to with the hullabaloo the thief was raising.  One Cloaker looked to another like they was sharing a thought.  Struck out for the horse.  Two of em, armed.  Well of course they was armed being in this part o the world in these bleak times, but it’s not every day you go pointing swords at horses.
 Margeth was thumping my hand. “Get up,” he said to me, “We’re going to get on down there and take that horse.”
 I love Margeth as dearly as any man can love his brother, but sometimes he had some damn dumb ideas.
 “You reckon so?” I said slow-like, hoping his brain would catch up with his mouth.  The thief had spied his ambush and was trying to steer around it, meanwhile the mounted ‘perials were picking a safer course down the gravel approach. “On account of I reckon we should stay safe right here and take care of our deathbell and not get involved.”
 “T’Oblivion with the deathbell!” Margeth pulled out the dagger he’d pinched from an Orc when we did our stint in the Bilegulch Mine. “That one horse is worth more’n everything we got here – includin you and me!  Let’s get down there!”
 He wasn’t waiting for me.  Like the fool he was he crawled over the side of the bank n dropped into the tall frozen grass on the grove side of the approach.  Here it was a tricky run through the trees to the river, but one we knew well.  With the dagger in his hand and his putrid old studded armour he took off down the slope.
 Well I might have been dirtier than a skeever’s backside, but I was blonde as was obvious to anyone’s blind grandmother, and my armour was as cheap n foul as Margeth’s.  What I’m saying is we would never be mistaken for ‘perials.  Being a Nord can be a dangerous occupation on the Border.
 I had a thought then which was dead wrong.  The thought was, this isn’t the dumbest thing he’s ever done, you might as well go over him.
 Dead wrong.
 So with my trinket of a sword I ducked over the bank and keeping low galloped down the verge.  One of the mounted ‘perials must’ve seen me, ‘cause he shouted and an arrow whipped straight in front of my nose and buried itself half to the fletches in an aspen tree.  You can bet I skedaddled.  I didn’t want trouble with the ‘perials.  I wanted to drink and smoke and pick flowers for a change.  I wanted-
 We hit the barren lower banks of the valley a little too literally: Margeth lost his footing as he ran for the horse being driven his way by the Cloakers giving chase, fell, and had all of half a second to scream before the big plate of the palomino’s hoof bore down on his face and crushed his skull like a torchbug smashed by an arrow.
 I stopped.  I dropped the sword.  The palomino galloped on and the Cloakers leapt over Margeth’s corpse and went after her.  One drew back his arm and flung his axe at the rider.  He was a lousy shot and did no more damage than the handle whacking the mare’s neck and bouncing off into the dirt.  It was enough to rear the mare.  The thief, who’d clung on all down that crazy trip into the valley, was now thrown clear.  The mare and her jostling saddlebags rode away over the rainbow.  Ah well she might as well’ve, ‘cause in a pretty minute she’d crossed the river and surged over the far bank, into Cyrodiil.
 Margeth was dead and I had no way of hauling five hundred pounds of deathbell to Whiterun on my own.  I couldn’t quite seem to keep up with the proceedings.  Margeth was dead.  The horse was gone.  The Cloakers had a struggle on their hands with the thief, who musta thought if he kilt em then he could get on over the rainbow after his horse.  He was tough, and desperate, and the Cloakers tired from their battle with the silvers.  The thief slit the throat of one of em before the ‘perials on their second-rate stallions charged in and shouted for everyone to drop their weapons.
 Well I’d done that.  Margeth was still holding the Orcish dagger in his hand but Margeth was dead.  Ten days from pay dirt.  We’d probably have blown it all on piss and women on the first night and then gotten flogged and ridden outta town but at least we would’ve had it.
 I don’t know why but my knees went.  I don’t mean to say I collapsed; right the opposite.  My legs jerked up and down like pistons on a Dwarven engine and next thing I knew I was running for the Border.  All I was thinking was that I was sick of this, sick of the Cloakers and the ‘perials fighting over two blokes most’ve em had never met (one they never would, ‘cause he was dead), sick of being flogged, and sick of being the wingman for a damn dumb dead fool.
 It was a flash of madness driving me over that particular border, I’m sure, as it was taking me directly into the enemy’s armpit, that is to say, into Cyrodiil.  I ran.  I stepped over poor dead dumb Margeth with a sorry look at his corpse, then I ran on, slippin and slidin down the wet rocks to the river.  Being of mountain breed it was narrow and quick and liable to drag me under, but I knew if I just got across it and up the bank then it would take all the Emperor’s army to hunt me down again.
 One of the only two favours the ‘perials have ever done me they did me right then: a plucky young silver-headed fellow spurred his horse after me, and it snorted and slipped and at last splashed into the river, where he headed me off and drove me west against the flow of the water.
 “Stop!  Rebel!” screamed the energetic young fellow, wheeling his horse against the water.  Not only was he a moron, he was a moron who couldn’t ride a horse.  His stallion jumped in protest, while I kept going, cutting south to the Cyrodiil bank.
 I was two steps away from it with the plan to put myself behind a boulder half in the water, when from behind that very boulder there leapt a bear, probably hunting salmon but I can tell you I didn’t care about that then.  The bear took a swipe at me and I jumped back in such a fright that I forgot to take into account the ‘perial.  I hit his horse and it jumped again, this time the underside of its big stupid head cracking onto the top of my own, and I fell backwards into the water as it was rushing against me and I fairly inhaled it.
 That’s as much as I remember; breathing water and my poor head bouncing gently off the river bottom.
 Following that I suppose the ‘perials did me their first favour of my life; because it was a long time later that I woke up, bone dry in the wrong clothes, in a shitty little wagon destined for Helgen.  I had to thank them that at least I hadn’t washed up dead (or alive) on the banks of Cyrodiil.
 Of course, my hands were tied.
 I didn’t thank them for that.